One’s entire life, a photograph

“How concrete everything becomes in the world of the spirit when an object, a mere door, can give images of hesitation, temptation, desire, security, welcome and respect. If one were to give an account of all the doors one has closed and opened, of all the doors one would like to re-open, one would have to tell the story of one’s entire life.”
– Gaston Bachelard, The Poetics of Space 

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Technological sublime, a photograph

“For thousands of years, it had been nature–and its supposed creator–that had had a monopoly on awe. It had been the icecaps, the deserts, the volcanoes and the glaciers that had given us a sense of finitude and limitation and had elicited a feeling in which fear and respect coagulated into a strangely pleasing feeling of humility, a feeling which the philosophers of the eighteenth century had famously termed the sublime.

But then had come a transformation to which we were still the heirs…. Over the course of the nineteenth century, the dominant catalyst for that feeling of the sublime had ceased to be nature. We were now deep in the era of the technological sublime when awe could most powerfully be invoked not by forests or icebergs but by supercomputers, rockets and particle accelerators. We were now almost exclusively amazed by ourselves.”
― Alain de Botton, The Pleasures and Sorrows of Work

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Creative, a photograph of life

“The truly creative mind in any field is no more than this: A human creature born abnormally, inhumanly sensitive. To him… a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, a lover is a god, and failure is death. Add to this cruelly delicate organism the overpowering necessity to create, create, create — so that
without the creating of music or poetry or books or buildings or something of meaning, his very breath is cut off from him. He must create, must pour out creation. By some strange, unknown, inward urgency he is not really alive unless he is creating.”
― Pearl S. Buck

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Off the track, a photograph of Rome

“Remember that it’s only by going off the track that you get to know the country…And don’t let me beg you, go with that awful tourist idea that Italy’s only a museum of antiquities and art. Love and understand the Italians, for the people are more marvelous than the land.”
― E.M. Forster

I’m in Rome visiting my dear friend and editor while working on my book. Between writing and editing, I try to find some time each day to get out and about to both walk and photograph.

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Strange contrasts, A photograph of Rome

“It is a place that ‘grows upon you’ every day. There seems to be always something to find out in it. There are the most extraordinary alleys and by-ways to walk about in. You can lose your way (what a comfort that is, when you are idle!) twenty times a day if you like; and turn up again, under the most unexpected and surprising difficulties. It abounds in the strangest contrasts; things that are picturesque, ugly, mean, magnificent, delightful, and offensive, break upon the view at every turn.”
― Charles Dickens, Pictures from Italy

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Latency, A Photograph

“Who knows whether, if I had given up smoking, I should really have become the strong perfect man I imagined? Perhaps it was this very doubt that bound me to my vice, because life is so much pleasanter if one is able to believe in one’s own latent greatness”
― Italo Svevo

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Very Married, Photographs of Marriage

This past weekend I spent the day shooting my first ever wedding on the little island of Vashon. I’m not a wedding photographer by any means, although the couple wasn’t looking for a “wedding photographer.” They wanted a street photographer (like me) to do an alternative to the traditional “posed” wedding as they’re a contemporary metropolitan couple. Pretty much every shot I took, including the ones of the bride and groom, were candid. Who knows…maybe I’ll do it again.

“If I get married, I want to be very married.”
– Audrey Hepburn

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